Rabu, 24 Juni 2015

Download Ebook Cosmopolitan Canvases: The Globalization of Markets for Contemporary ArtFrom Oxford University Press

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Cosmopolitan Canvases: The Globalization of Markets for Contemporary ArtFrom Oxford University Press

Since the late 1990s, contemporary art markets have emerged rapidly outside of Europe and the United States. China is now the world's second largest art market. In counties as diverse as Brazil, Turkey and India, modern and contemporary art has been recognized as a source of status, or a potential investment tool among the new middle classes. At art auctions in the US, London and Hong Kong, new buyers from emerging economies have driven up prices to record levels. The result of these changes has been an increase in complexity, interconnectedness, stratification and differentiation of contemporary art markets. Our understanding of them is still in its early stages and empirical research in the field of globalization of high arts is still scarce.

This book brings together recent, multidisciplinary, cutting edge research on the globalization of art markets. Focusing on different regions, including China, Russia, India and Japan, as well as different institutions and organizations, the chapters in this volume study the extent to which art markets indeed become global. They show the various barriers to, and the effects of, globalization on the art market's organizational dynamics and the everyday narratives of people working within the art industry. In doing so, they recognize the coexistence of various ecologies of contemporary art exchange, and sketch the presence of resilient local networks of actors and organizations. Some chapters show Europe and the US continue to dominate, especially when taking art market rankings and the most powerful events such as Art Basel into account. However, other chapters argue that things such as art fairs are truly global events and that the 'architecture of the art market' which has originally been developed in Europe and the US from the 19th century onwards, is increasingly adopted across the world.

  • Sales Rank: #2702430 in Books
  • Published on: 2015-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x 1.00" w x 9.30" l, 1.67 pounds
  • Binding: Hardcover
  • 464 pages

About the Author

Olav Velthuis, Associate Professor, University of Amsterdam,Stefano Baia Curioni, Associate Professor, Bocconi University

Olav Velthuis is Associate Professor at the Department of Sociology and Anthropology of the University of Amsterdam. He is currently studying the emergence and development of art markets in the BRIC-countries (Brazil, Russia, India and China). Velthuis is the author of Imaginary Economics (NAi Publishers, 2005) and Talking Prices. Symbolic Meanings of Prices on the Market for Contemporary Art (Princeton University Press, 2005), which received the Viviana Zelizer Distinguished Book Award of the American Sociological Association for the best book in economic sociology (2006). Together with Maria Lind of Tensta Konsthall (Stockholm), he recently edited the book Contemporary Art and Its Commercial Markets A Report on Current Conditions and Future Scenarios (Sternberg Press, 2012). A recognized authority on art markets, his journalistic writings have appeared in among others Artforum, the Art Newspaper and the Financial Times.

Stefano Baia Curioni is Associate Professor at the Department of Institutional Analysis of Bocconi University in Milano. He is founder, former Director and vice President of the ASK (Art, Science, Knowledge) research center of Bocconi University, visiting professor of cultural economics at IMT institute Lucca for the Phd Heritage management and development. In the last fifteen years Baia Curioni concentrated his research and teaching activities in the field of cultural institutions and policies with a specific interest in the historical analysis of the transformation of art system and fields. His last book, Mercanti dell'Opera, is dedicated to the economic history of Italian Operatic music scene in the XIX and XX century. Within the ASK research center, Baia Curioni is leading a research project on the contemporary art legitimation processes and served the Italian Ministry of Culture for different intervention in the last years. He is Board Member of the Ratti Foundation in Como

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Selasa, 23 Juni 2015

Download Ebook Experimental Organic ChemistryBy Daniel R. Palleros

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This cutting-edge lab manual takes a multiscale approach, presenting both micro, semi-micro, and macroscale techniques. The manual is easy to navigate with all relevant techniques found as they are needed. Cutting-edge subjects such as HPLC, bioorganic chemistry, multistep synthesis, and more are presented in a clear and engaging fashion.

  • Sales Rank: #169413 in Books
  • Published on: 2000-02-04
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.18" h x 1.72" w x 8.72" l, 4.49 pounds
  • Binding: Hardcover
  • 864 pages

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Senin, 22 Juni 2015

Ebook Free Atlas of Regional Anatomy of the Brain Using MRI: With Functional CorrelationsBy JEAN TAMRAZ, Youssef Comair

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A unique review of the essential topographical anatomy of the brain from an MRI perspective, correlating high-quality anatomical plates with high-resolution MRI images. The book includes a historical review of brain mapping and an analysis of the essential reference planes used. It provides a detailed review of the sulcal and the gyral anatomy of the human cortex, guiding readers through an interpretation of the individual brain atlas provided by high-resolution MRI. The relationship between brain structure and function is approached in a topographical fashion with an analysis of the necessary imaging methodology and displayed anatomy. An extensive coronal atlas rounds off the book.

  • Sales Rank: #5859996 in Books
  • Published on: 2005-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: .68" h x 7.64" w x 10.58" l, .0 pounds
  • Binding: Paperback
  • 330 pages

From the Back Cover

The volume provides a unique review of the essential topographical anatomy of the brain from an MRI perspective, correlating high-quality anatomical plates with the corresponding high-resolution MRI images. The book includes a historical review of brain mapping and an analysis of the essential reference planes used for the study of the human brain. Subsequent chapters provide a detailed review of the sulcal and the gyral anatomy of the human cortex, guiding the reader through an interpretation of the individual brain atlas provided by high-resolution MRI. The relationship between brain structure and function is approached in a topographical fashion with analysis of the necessary imaging methodology and displayed anatomy. The central, perisylvian, mesial temporal and occipital areas receive special attention. Imaging of the core brain structures is included. An extensive coronal atlas concludes the book. Neuroscientists, neuroradiologists, neurologists, neurosurgeons and students of human behavior should find this book useful guiding them to a better understanding of the localization of brain function.

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Kamis, 11 Juni 2015

Ebook The Curator's Handbook, by Adrian George

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Review

“Informative . . . Readers are taken through the curation process with precise writing and a formidable wealth of experience. Any student or novice curator will find this a vital part of their curriculum; it is a resource that should be on the shelf of any curator working in a museum in the 21st century.” - Library Journal“Informative. . . . Readers are taken through the curation process with precise writing and a formidable wealth of experience behind each inquiry and instruction. Frequent observations by the contributing museum directors add a personal touch and offer beneficial perspectives about the job. Any student or novice curator will find this a part of their curriculum; it is a resource that should be on the shelf of any curator working in a museum in the 21st century. A much-needed manual for contemporary practitioners of the fine art of curatorship, written with an eye to the everyday applications necessary for the evolution of an exhibition.” - Library Journal

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About the Author

Adrian George is Deputy Director and Senior Curator at the UK Government Art Collection in London. He previously held curatorial posts at Tate Liverpool; Tate Modern, London; and the New Museum of Contemporary Art, New York.

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Product details

Hardcover: 320 pages

Publisher: Thames & Hudson; 1 edition (August 11, 2015)

Language: English

ISBN-10: 0500239282

ISBN-13: 978-0500239285

Product Dimensions:

5.9 x 1.1 x 8.6 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#278,328 in Books (See Top 100 in Books)

Thanks Adrian ! This is a succinct compendium of tasks required in curating exhibits for public view. I have drawn out data on organizing, shipping, insuring, lighting and promotion of the work- for starters. It's a great reference, well highlighted and researched.

A great little guide to curating. a good little handbook to keep

Excellent read about curatoral work

This book is very detailed in many aspects, and it has been very helpful for I began this journey with very little knowledge of what a curator was responsible for - other than arranging artwork for an exhibition.

Great read if you're pursuing career in curating

Considering the length of the content I think the price should be lower.

Fast shipping, great product!

If you are curious about curating, this book will give you an in-depth look at practical considerations. Aside from the good information, the book is a visual treat -- thoughtfully laid out in colors that appeal to visual folks and help with learning.

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Minggu, 07 Juni 2015

Get Free Ebook Shadowrun Rigger 5.0

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Product details

Hardcover: 190 pages

Publisher: Catalyst Game Labs (March 16, 2016)

Language: English

ISBN-10: 1941582990

ISBN-13: 978-1941582992

Product Dimensions:

8.8 x 0.5 x 10.9 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#351,741 in Books (See Top 100 in Books)

Great boo, love shaodwrun, PDF's are nice but there is still nothing like a REAL book in your hands. Great artwork, and lots of "new" , most of the vehicles we've seen in past editions NOT in the 5.0 core book, but no Citymaster :( , drones and vehicles.

I was surprised with the updated material. Some classic names but then new stuff also. New basic commuter stuff and more security vehicles also. The only down side is some the text was fuzzy and hard to read.

Lots of great info, but poorly organized sections

Lots of great stories to make the game more understandable. Lots of cool machines to dream of or to fight against.

Great book

Only problem I had was the book binding started to part ways with the hard cover. But Ireally liked the book. :)

This was the first book I have read under the 5th edition umbrella. I played Shadowrun a great deal 20 years ago and in the last couple years I have purchased 5-6 4th edition books. I was wary of the 5th edition due to reviews here and on other sites but I wanted to try a book to see what I thought. I had started with the rigger's book because it was a character type I had always enjoyed so I figured that if I didn't like the 5th edition material at least I would have a decent book to read. Sadly I was quite wrong. Not having seen the 5th edition rule book I can't say if this is written in the tone of the new edition or if this book just didn't do it for me but I didn't even finish it.The impression that I got reading the first section was that every fourth word was "rigger," which made for a difficult and almost painful read. Obviously that's the character type that will be in the book but it seemed to make it read like it was written by someone that didn't quite get it, someone that didn't know the Shadowrun world. The 4th edition sourcebooks, written as threads from online forums, had a style that seemed to capture the style and setting of the game. I felt like this book came from someone that was told about that style but couldn't quite capture the same feel.As far as print quality, the whole book was in color on glossy pages. The first page on each of the chapter introduction stories was printed much less clearly than the other pages, some to the point of being difficult to read due to the blurry quality of the letters.I didn't finish the book, and I'm quite sure I won't ever, so I may have missed out on bits that would have made it a good purchase. I think I'm going to just move on from this one and never go back to see what I missed the first time through.

As you would expect, a must get if you want to play a rigger.nice tables of drones and vehicles at the end.

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Sabtu, 06 Juni 2015

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Women On TopBy NANCY FRIDAY

In a post-50 Shades of Grey world, a new audience is ready for Nancy Friday’s groundbreaking work on female sexual fantasies. Women on Top explores the changing face of sex and power dynamics through over 150 collected fantasies from real women.More than ever before, women everywhere are devouring the hottest stories from behind closed doors, tales of sexual encounters designed to create new frissons of excitement with each turn of the page. But the fantasies in this book aren’t fiction. They are the real erotic imaginings of real women . . . and nothing is more exciting than that. Nancy Friday, whose collections of women’s sexual fantasies include My Secret Garden and Forbidden Flowers, offers up “a smorgasbord of sensual scenarios” (New Women) in this explicit New York Times bestseller that puts women in control of their sexual destinies. Nearly two hundred women contributed, in their own uncensored words and through interviews with the author, the shocking, daring, amusing, untamed, and pulse-pounding imaginings that turn them on the most. “The fantasies are fascinating,” raves Esquire magazine, no doubt because unlike anything any novel could ever truly capture, they allow open access to what women really desire.

  • Published on: 1992
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 448 pages

From Publishers Weekly In this update of My Secret Garden , her ground-breaking 1973 exploration of women's sexual fantasies, Friday demonstrates that while women of the '60s and '70s were likely to imagine themselves as sexual submissives, those of the '80s and '90s fantasize being in charge of the erotic situation. She remains a hearty proponent of masturbation, contending that it teaches women to be at ease with their bodies and the pursuit of sexual pleasure. Her findings are based on patterns found in the enthusiastic, often erotically charged letters she elicited from women aged 14 to 61 and transcribes here. The respondents, most in their mid-20s and diverse in upbringing, marital status and sexual preference, envision themselves as seductresses, dominatrixes, exhibitionists, nurturers and men. First sexual experiences are recalled, confirmed heterosexuals admit fascination with lesbian acts, a former nun talks about her change of plans, an occasional dog gets in on the action. This absorbing, titillating and empowering feminist book is also a ribald bedside companion. First serial rights to Glamour; Literary Guild alternate; author tour. Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews Oh, that bathtub faucet. Only the Water Pik shower massage gets more kudos from Friday's respondents in this sequel to My Secret Garden (1973)--though dogs come in for considerable praise. Friday reports that, while this project was underway, a friend asked her whether she was writing ``another of your masturbatory books, Nancy.'' Friday was affronted, believing that her books open up discourse on taboo subjects, break new ground in exposing the inner lives of half of the human race, help people feel they're normal, promote understanding between the sexes, etc. And perhaps they do--but it cannot be denied that fully 75% of this book consists of women's first-person X-rated fantasies. Friday's role as commentator on the fantasies may prompt irreverent associations with the impassive, analytical doctors once used to introduce porn films and lend them an air of legitimacy. Her conclusions are: that the generation of women now in their 20s are less abashed about their sexuality than the women in My Secret Garden; that they are comfortable with masturbation; relish their power rather than seek to be overpowered by a man; and sometimes are so angry and fed up with men that they turn to other women. Some of Friday's sweeping generalizations may cause controversy, such as her analysis that feminists hate porn not because it victimizes women but because they can't accept that other women actually enjoy flaunting their power so flagrantly. One thing is for sure: Women have made no progress, judging from these accounts, in finding an erotic language of their own but are relying on the same old blunt, aggressive, consonant- constricted terms of men's porn. Women speaking of ``getting their rocks off'' just doesn't cut it--but maybe that's a subject for a future Friday project. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Review "Newsweek" Another Friday blockbuster."Esquire" The fantasies are fascinating."New Woman" A smorgasbord of sensual scenarios.

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